Wipeout omega collection soundtrack buy
When you’re racing at high speed around the tightest of corners and you’re taking the lead with precision and a cool attitude, that’s where WipEout is not only at its best but also its most graceful. The lack of a tactile track to race over provides an experience that oozes fine control. WipEout: Omega Collection still has that elegance to it. Developers Psygnosis and Studio Liverpool hit the nail on the head with their first foray into anti-gravity racing, as they created something that was elegant for the time. WipEout’s core gaming setup was always easy enough to understand, high-speed racing with a touch of combat thrown in for good measure in certain races. Something that WipEout: Omega Collection still happens to have a knack for doing. The very best racing games should be able to capture your mind to the point where you wouldn’t even notice if the house was burning down.
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That unbreakable connection of TV and your gaze, you in the driver’s seat focused only on the task at hand. I’m a big believer that the best racing games manage to suck you in and deliver an experience of what I refer to as “the zone”. WipEout: Omega Collection may be internally older than most of its target market by now, but it has aged gorgeously in the years since then.
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Except you know, this time it’s far more legal to be nostalgic for those days. That’s a blisteringly massive amount of race tracks, vehicles and new music to help you relive the glory days of dancing in a warehouse while some chap with a pacifier in his mouth was stoned out of his mind on ecstasy tablets. The actual Omega Collection packs in plenty of that nostalgia: You get a compilation of WipEout HD, WipEout HD Fury and WipEout 2048 to jam around with. What you have with WipEout: Omega Collection, a game that wants a new generation of twenty-somethings to get hooked on its beat while roping those of you who are on the other side of 40 to grab a controller and sit back down again with an old friend. Tekken just released on Friday, the top films at the box office are re-imaginings of chart-toppers from that decade and now WipEout has come racing back into the scene. It feels like the 90s are back with a bang lately. It was mainstream in the best way possible, with games like WipEout being titanic system-sellers at the time.Īlmost 22 years later, how does WipEout perform with a new coat of 4K paint? Beautifully. The PlayStation One didn’t just revolutionise the gaming industry, it made it more acceptable than ever before. Here was a console that wasn’t just a huge step up in video game technology, but also a device that had more eyeballs on it. With a selection of tracks mostly handled by Tim “CoLD SToRAGE” Wright, WipEout was the game to have when the PlayStation first launched. If a decade can be defined by its music, then WipEout is the poster child for that era’s soundtrack. So what’s this got to do with a video game about futuristic racing that gave the Newtonian laws of gravity a high-speed middle finger? Everything.
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Hell, if you bought the CD soundtrack for the 1998 Blade movie starring Wesley Snipes as a vampire who really didn’t have time for arrogant bloodsuckers ice-skating uphill then I’d bet easy money that you owned that disc solely for New Order’s Confusion track that was played during the blood0-rave scene.
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I’m talking the Chemical Brothers, Leftfield and New Order.
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That’s a decade that gave us the titans of the club scene.
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Thanks to computers taking a tremendous leap forward in that decade, just about anybody with a demo copy of Fruity Loops could be a DJ. If the 1980s were the age of power ballads and the wider explosion of rap culture’s street knowledge, then the 1990s were ruled by sounds of an electronic variety. I like to imagine that every decade is defined by its music, audio trends which highlighted a culture of the time.